This is certainly one of the oldest and most universal of spells. To effect the death of a man, or to injure him by making an image in his likeness, and mutilating or destroying this image, is a practice found throughout the whole wide world from its earliest years. It is common both in Babylon and in the Egypt of the Pharoahs, when magicians kneaded puppets of clay or pitch moistened with honey. If it were possible to mingle therewith a drop of a man's blood, the parings of his nails, a few hairs from his body, a thread or two from his garments, it gave the warlock the greater power over him. In ancient Greece and Rome precisely the same ideas prevailed, and allusions may be found ni Theocritus (“Idyll” II), Vergil (“Eclogue” VIII, 75-82), Ovid (“Heroides,” VI, 91, sqq.; “Amores,” III, vii, 29, sqq.), and many more. (See R. Wunsch, “Eine antike Rachepuppe,” “Philologus,” lxi, 1902, pp. 26-31.) We find this charm among the Ojebway Indians, the Cora Indians of Mexico, the Malays, the Chinese and Japanese, the aborigines throughout Australia, the Hindoos, both in ancient India and at the present day, the Burmese, many Arab tribes of Northern Africa, in Turkey, in Italy and the remoter villages of France, in Ireland and Scotland, nor is it (in one shape and form or another) yet unknown in the country districts of England.

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